The "lost wax method" of bronze casting:- some pictures from Mandalay, Burma.

Click on an image for a larger version.

1. A wax model is made, usually over a sandy, clay core that is shaped roughly like the finished product. This example shows a  fairly large Buddha image. The flowing robes are typical of the Mandalay style. Notice the little rolls of wax on the bottom left- this is all hand made! The core usually stays inside the finished image.

2. The wax  image is studded with nails, and the wax is then covered with a clay plaster. The plaster goes on in several coats. When it dries, the result is a negative image - what you can see in this picture is actually  the outer coating of the  mould from which the statue  will be made. On this statue, the left hand will be put on later.  There is no ritual reason for this- it's just easier to do it that way, instead of trying to pour bronze through too many tricky little channels in the mould.

3. The mould is covered with heavy clay to stop it breaking up during pouring. This is heated, and the wax melts and runs out a hole in the bottom (or the top- the image is often cast upside down)  to be collected and re-used. Hence the name of the process- "lost wax". The nails that were put through the wax hold the outer mould away from the core, and stop it from collapsing as the bronze run through. The molten bronze is then poured into the space between the core, over which the wax was shaped, and the plaster mould. The plaster moulds nearby are for making smaller wax images- they can be re-used. I couldn't work out what the old bicycle wheel was for!

4. When the bronze image is finally cast, and cools down, the plaster mould on a larger image  is cracked off. The image  still needs a lot of work- it might  be engraved, trimmed, or polished. Sometimes there are leftover chunks of bronze that need to be filed off. The  holes from the nails that kept the core separate from the plaster mould during casting may be filled with the same bronze as was used for the image- so you can hardly see them. If the bronze failed to reach any parts of the image, patches may also now be added on and smoothed over.

Do you want to know WHY THEY THOUGHT AN ANCIENT POTTERY KILN WAS BUDDHA'S FOOT? 
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© Bob Hudson, 1997-2003.